In a Grove :: essays research papers

Louis Andrei Zabala                                             Litera210335625                                               07/11/05In A GroveIt is a written report that provides the ultimate explanation of how two different people who atomic number 18 witnesses to a crime give completely different psychological recollections of the same event. The author reminds us that truth depends on the telling. Someone must step previous and tell that truth.I believe that no guinea pig how many times you read "In A Grove," theres not enough information in the story to figure out the truth just about what took place on the day of the samurais death, but its still fun to sort out what you think you know for sure, what seems passing probable, what seems highly improbable, and what doesnt fit into any of these three categories. But for me, "In A Grove" isnt about searching for some kind of absolute truth its about how differently people perceive the same external event. The best example in the story of what I mean by this is perhaps the sword grapple between the bandit and the samurai. The bandit perceived it as a heroic duel between a pair of honorable, expert swordsmen while the woodsman power saw two scared, clumsy men stumbling around with swords in their hands as each tried desperately to prevail over the other any means he could. When its all said and done, you wont know who is telling the truth, who is lying and, most importantly, why.Yet the parable is more important, today, perhaps, as a lesson in how we construct the narratives upon which legal expert depends What facts must we know to decide the truth? That question makes the authors inquiry the concern of those who now seek justice in the GMA presidency, as well.And it doesnt matter one bit. The writer isnt interested in truth, lies or anything of the sort. Hes interested in reality, and the reality of human truth is that no one will ever unfeignedly know it.

James Joyce Essay -- essays research papers fc

In selecting James Joyces Ulysses as the best novel of the twentieth century, Time magazine affirmed Joyces enduring legacy in the realm of English literature. James Joyce (1882-1941), the twentieth century Irish novelist, short story writer and poet is a major literary realize of the twentieth-century. Regarded as "the most international of writers in EnglishKwith a global reputation (Attridge, pix), Joyces stature in literature stems from his experimentation with English prose. Influenced by European writers and an encyclopedic knowledge of European literatures, Joyces distinctive writing style includes epiphanies, the stream-of-consciousness technique and conciseness.Born in Rathgar, near Dubtin, in 1882, he lived his adult life in Europe and died in Zurich, Switzerland in 1941. The eldest of then children, Joyce attended a Jesuit boarding instill Clongowes Wood from 18888-1891 and Belvedere College, another Jesuit school from 1893-1898. In 1902, Joyce graduated from Unive rsity College and went to live in exile in Europe unable to tolerate the narrow-mindedness of his native country. Ironically, Ireland and Irish people become the quash of his short stories and novels. The two central preoccupations of his work are a sense of betrayal. Ireland, dominated both political and economically by Britain and religiously by the Catholic Church caused Joyce to regard them as "the two imperialisms" (Attridge P. 34). Roman Catholicism is an integral aspect of the novel A Portrait of the Artist as a preadolescent Man. In 1917, the English novelist H.G. Wells in a review of the novel in the New Republic wrote, "by far the most living and convert picture that exists of an Irish Catholic upbringing." Joyces focus on betrayal was a consequence of the downfall in 1889of the Irish leader Charles Stuart Parnell when he was attacked by the Irish Catholic Church when named a correspondent in a divorce case. This treachery left an indelible mark on Joyces mind.&9Joyce literary talent emerged at Belvedere as he began to read the work of European writers and in particular the Norwegian dramatist, Henrik Ibsen (1828-1906). At the age of eighteen, Joyce wrote an essay authorise "Ibsens New Drama" which was published in the Fortnightly Review. When Ibsen sent him a note of thanks, "the awestruck Joyce resolved to learn Norwegion... ... days the about life extend of his characters-as Joyce world do in The Dead in Ulysses, and perhaps in Finnegans Wake." (Atteridge p.65) There was an increasing concentration on form and language in Joyces five novels. In A Portrait of the Artist as a Young Man, Joyce in a few lines, describes Stephan, Dedaluess mood and characters.Works Cited1. Arnold, Armin. James Joyce. New York Frederick Ungar Publishing Co., 1969.2. Attridge, Derek. The Cambridge feller to James Joyce. New York Cambridge University Press, 1990.3. Benstock, Bernard. "Joyce, James." Twentieth Century Author s. New York HW Wilson Company, 1942.4. Cahalan, James M. A Critical History. Boston G. K. Hall &amp Co., 1988.5. "Joyce, James Augustine Aloysins." Microsoft Corpuration. Encarta. CD-Rom. Encarta. 1993-1996.6. Kalasky, Drew. Short trading floor Criticism. Detroit Gale Research Inc., 1995.7. Kenner, Hugh, Fritz Senn, E.L. Esptein, Robert Boyle, SJ. A Starchamber Quiry a James Joyce Centennial Volume, 1882-1982. New York Methuen &amp Co. Ltd, 1982.8. Rice, Thomas Jackson. James Joyce Life, Work, and Criticism. Frederiction York Press LTD., 1985.